Inspired by a dream of a painting while living destitute in Berlin, the Stabbing Party is a journey through a surreal, ominous landscape comprised of the concrete and ephemeral. Source material used includes room tone gathered from a coal cellar, metal drainage grates, fire doors, and various other found sounds.

An excercise in destroying to create, Musik des Unterganges is a rework of Thorstone's traditional piece for Violin, 'Cold Strings'. The source material has been completely obliterated and reformed into an entirely new piece, replacing imposed mathematical structure with organic, natural order. Inspired by Hesse's concept of the Music of Decline.

Into Prosthetic Fields is an exploration of liminal spaces and the thanotic entities which inhabit them. It is an audiolization of the boundaries that seperate the normal from the paranormal. Recorded in Berlin using manipulated vocal samples, field recordings, hi-frequency masking using the Nyquist rate, electronic voice phenomena and self-engineered software synthesis.

Certain emotional states cannot be resolved internally - they need to be externalized to be examined and understood. This piece is exactly that. Composed from recordings made on Seattle's waterfront on September 11th 2001, Aethyrik Drift is a mechanism to delineate the artist's personal response to trauma. Sounds of stone, water, and wood were used to invoke a sense of grounding.